The Murder on the Links Read online

  “He has a crise of the nerves, that one! He has been obliged to return to Paris.”

  We both smiled.

  Poirot proved a fairly true prophet. When at length the doctor pronounced Jack Renauld strong enough to hear the truth, it was Poirot who broke it to him. The shock was indeed terrific. Yet Jack rallied better than I could have supposed possible. His mother’s devotion helped him to live through those difficult days. The mother and son were inseparable now.

  There was a further revelation to come. Poirot had acquainted Mrs. Renauld with the fact that he knew her secret, and had represented to her that Jack should not be left in ignorance of his father’s past.

  “To hide the truth, never does it avail, madame! Be brave and tell him everything.”

  With a heavy heart Mrs. Renauld consented, and her son learned that the father he had loved had been in actual fact a fugitive from justice. A halting question was promptly answered by Poirot.

  “Reassure yourself, Monsieur Jack. The world knows nothing. As far as I can see, there is no obligation for me to take the police into my confidence. Throughout the case I have acted, not for them, but for your father. Justice overtook him at last, but no one need ever know that he and Georges Conneau were one and the same.”

  There were, of course, various points in the case that remained puzzling to the police, but Poirot explained things in so plausible a fashion that all query about them was gradually stilled.

  Shortly after we got back to London, I noticed a magnificent model of a foxhound adorning Poirot’s mantelpiece. In answer to my inquiring glance, Poirot nodded.

  “Mais oui! I got my five hundred francs! Is he not a splendid fellow? I call him Giraud!”

  A few days later Jack Renauld came to see us with a resolute expression on his face.

  “Monsieur Poirot, I’ve come to say good-bye. I’m sailing for South America almost immediately. My father had large interests over the continent, and I mean to start a new life out there.”

  “You go alone, Monsieur Jack?”

  “My mother comes with me—and I shall keep Stonor on as my secretary. He likes out-of-the-way parts of the world.”

  “No one else goes with you?”

  Jack flushed.

  “You mean—?”

  “A girl who loves you very dearly—who has been willing to lay down her life for you.”

  “How could I ask her?” muttered the boy. “After all that has happened, could I go to her and—Oh, what sort of a lame story could I tell?”

  “Les femmes—they have a wonderful genius for manufacturing crutches for stories like that.”

  “Yes, but—I’ve been such a damned fool.”

  “So have all of us, one time and another,” observed Poirot philosophically.

  But Jack’s face had hardened.

  “There’s something else. I’m my father’s son. Would anyone marry me, knowing that?”

  “You are your father’s son, you say. Hastings here will tell you that I believe in heredity—”

  “Well, then—”

  “Wait. I know a woman, a woman of courage and endurance, capable of great love, of supreme self-sacrifice—”

  The boy looked up. His eyes softened.

  “My mother!”

  “Yes. You are your mother’s son as well as your father’s. Then go to Mademoiselle Bella. Tell her everything. Keep nothing back—and see what she will say!”

  Jack looked irresolute.

  “Go to her as a boy no longer, but a man—a man bowed by the fate of the Past, and the fate of Today, but looking forward to a new and wonderful life. Ask her to share it with you. You may not realize it, but your love for each other has been tested in the fire and not found wanting. You have both been willing to lay down your lives for each other.”

  And what of Captain Arthur Hastings, humble chronicler of these pages?

  There is some talk of his joining the Renaulds on a ranch across the seas, but for the end of this story I prefer to go back to a morning in the garden of the Villa Geneviève.

  “I can’t call you Bella,” I said, “since it isn’t your name. And Dulcie seems so unfamiliar. So it’s got to be Cinderella. Cinderella married the Prince, you remember. I’m not a Prince, but—”

  She interrupted me.

  “Cinderella warned him, I’m sure. You see, she couldn’t promise to turn into a princess. She was only a little scullion after all—”

  “It’s the Prince’s turn to interrupt,” I interpolated. “Do you know what he said?”

  “No?”

  “‘Hell!’ said the Prince—and kissed her!”

  And I suited the action to the word.

  * * *

  The Agatha Christie Collection

  THE HERCULE POIROT MYSTERIES

  Match your wits with the famous Belgian detective.

  The Mysterious Affair at Styles

  The Murder on the Links

  Poirot Investigates

  The Murder of Roger Ackroyd

  The Big Four

  The Mystery of the Blue Train

  Peril at End House

  Lord Edgware Dies

  Murder on the Orient Express

  Three Act Tragedy

  Death in the Clouds

  The A.B.C. Murders

  Murder in Mesopotamia

  Cards on the Table

  Murder in the Mews

  Dumb Witness

  Death on the Nile

  Appointment with Death

  Hercule Poirot’s Christmas

  Sad Cypress

  One, Two, Buckle My Shoe

  Evil Under the Sun

  Five Little Pigs

  The Hollow

  The Labors of Hercules

  Taken at the Flood

  The Underdog and Other Stories

  Mrs. McGinty’s Dead

  After the Funeral

  Hickory Dickory Dock

  Dead Man’s Folly

  Cat Among the Pigeons

  The Clocks

  Third Girl

  Hallowe’en Party

  Elephants Can Remember

  Curtain: Poirot’s Last Case

  Explore more at www.AgathaChristie.com

  * * *

  * * *

  The Agatha Christie Collection

  THE MISS MARPLE MYSTERIES

  Join the legendary spinster sleuth from St. Mary Mead in solving murders far and wide.

  The Murder at the Vicarage

  The Body in the Library

  The Moving Finger

  A Murder Is Announced

  They Do It with Mirrors

  A Pocket Full of Rye

  4:50 From Paddington

  The Mirror Crack’d from Side to Side

  A Caribbean Mystery

  At Bertram’s Hotel

  Nemesis

  Sleeping Murder

  Miss Marple: The Complete Short Stories

  THE TOMMY AND TUPPENCE MYSTERIES

  Jump on board with the entertaining crime-solving couple from Young Adventurers Ltd.

  The Secret Adversary

  Partners in Crime

  N or M?

  By the Pricking of My Thumbs

  Postern of Fate

  Explore more at www.AgathaChristie.com

  * * *

  * * *

  The Agatha Christie Collection

  Don’t miss a single one of Agatha Christie’s stand-alone novels and short-story collections.

  The Man in the Brown Suit

  The Secret of Chimneys

  The Seven Dials Mystery

  The Mysterious Mr. Quin

  The Sittaford Mystery

  Parker Pyne Investigates

  Why Didn’t They Ask Evans?

  Murder Is Easy

  The Regatta Mystery and Other Stories

  And Then There Were None

  Towards Zero

  Death Comes as the End

  Sparkling Cyanide

  The Witness for the Prosecution and
Other Stories

  Crooked House

  Three Blind Mice and Other Stories

  They Came to Baghdad

  Destination Unknown

  Ordeal by Innocence

  Double Sin and Other Stories

  The Pale Horse

  Star over Bethlehem: Poems and Holiday Stories

  Endless Night

  Passenger to Frankfurt

  The Golden Ball and Other Stories

  The Mousetrap and Other Plays

  The Harlequin Tea Set

  Explore more at www.AgathaChristie.com

  * * *

  About the Author

  Agatha Christie is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She is the author of eighty crime novels and short-story collections, nineteen plays, two memoirs, and six novels written under the name Mary Westmacott.

  She first tried her hand at detective fiction while working in a hospital dispensary during World War I, creating the now legendary Hercule Poirot with her debut novel The Mysterious Affair at Styles. With The Murder in the Vicarage, published in 1930, she introduced another beloved sleuth, Miss Jane Marple. Additional series characters include the husband-and-wife crime-fighting team of Tommy and Tuppence Beresford, private investigator Parker Pyne, and Scotland Yard detectives Superintendent Battle and Inspector Japp.

  Many of Christie’s novels and short stories were adapted into plays, films, and television series. The Mousetrap, her most famous play of all, opened in 1952 and is the longest-running play in history. Among her best-known film adaptations are Murder on the Orient Express (1974) and Death on the Nile (1978), with Albert Finney and Peter Ustinov playing Hercule Poirot, respectively. On the small screen Poirot has been most memorably portrayed by David Suchet, and Miss Marple by Joan Hickson and subsequently Geraldine McEwan and Julia McKenzie.

  Christie was first married to Archibald Christie and then to archaeologist Sir Max Mallowan, whom she accompanied on expeditions to countries that would also serve as the settings for many of her novels. In 1971 she achieved one of Britain’s highest honors when she was made a Dame of the British Empire. She died in 1976 at the age of eighty-five. Her one hundred and twentieth anniversary was celebrated around the world in 2010.

  www.AgathaChristie.com

  Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.

  THE AGATHA CHRISTIE COLLECTION

  The Man in the Brown Suit

  The Secret of Chimneys

  The Seven Dials Mystery

  The Mysterious Mr. Quin

  The Sittaford Mystery

  Parker Pyne Investigates

  Why Didn’t They Ask Evans?

  Murder Is Easy

  The Regatta Mystery and Other Stories

  And Then There Were None

  Towards Zero

  Death Comes as the End

  Sparkling Cyanide

  The Witness for the Prosecution and Other Stories

  Crooked House

  Three Blind Mice and Other Stories

  They Came to Baghdad

  Destination Unknown

  Ordeal by Innocence

  Double Sin and Other Stories

  The Pale Horse

  Star over Bethlehem: Poems and Holiday Stories

  Endless Night

  Passenger to Frankfurt

  The Golden Ball and Other Stories

  The Mousetrap and Other Plays

  The Harlequin Tea Set

  The Hercule Poirot Mysteries

  The Mysterious Affair at Styles

  The Murder on the Links

  Poirot Investigates

  The Murder of Roger Ackroyd

  The Big Four

  The Mystery of the Blue Train

  Peril at End House

  Lord Edgware Dies

  Murder on the Orient Express

  Three Act Tragedy

  Death in the Clouds

  The A.B.C. Murders

  Murder in Mesopotamia

  Cards on the Table

  Murder in the Mews

  Dumb Witness

  Death on the Nile

  Appointment with Death

  Hercule Poirot’s Christmas

  Sad Cypress

  One, Two, Buckle My Shoe

  Evil Under the Sun

  Five Little Pigs

  The Hollow

  The Labors of Hercules

  Taken at the Flood

  The Underdog and Other Stories

  Mrs. McGinty’s Dead

  After the Funeral

  Hickory Dickory Dock

  Dead Man’s Folly

  Cat Among the Pigeons

  The Clocks

  Third Girl

  Hallowe’en Party

  Elephants Can Remember

  Curtain: Poirot’s Last Case

  The Miss Marple Mysteries

  The Murder at the Vicarage

  The Body in the Library

  The Moving Finger

  A Murder Is Announced

  They Do It with Mirrors

  A Pocket Full of Rye

  4:50 from Paddington

  The Mirror Crack’d from Side to Side

  A Caribbean Mystery

  At Bertram’s Hotel

  Nemesis

  Sleeping Murder

  Miss Marple: The Complete Short Stories

  The Tommy and Tuppence Mysteries

  The Secret Adversary

  Partners in Crime

  N or M?

  By the Pricking of My Thumbs

  Postern of Fate

  Memoirs

  An Autobiography

  Come, Tell Me How You Live

  Copyright

  This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

  AGATHA CHRISTIE® POIROT® THE MURDER ON THE LINKS™. Copyright © 1923 Agatha Christie Limited (a Chorion company). All rights reserved.

  THE MURDER ON THE LINKS © 1923. Published by permission of G.P. Putnam’s Sons, a member of Penguin Group (USA) Inc. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  Library of Congress Cataloging-in-Publication Data is available upon request.

  EPub Edition © MAY 2011 ISBN: 978-0-06-174994-0

  ISBN 978-0-06-207386-0

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