The Labours of Hercules hp-26 Read online

  "You mean – my father?"

  "Not your father, Mademoiselle. Did I not tell you that Hercule Poirot knows everything? Your photograph was easily recognised in official quarters. You are Sheila Kelly – a persistent young shop-lifter who was sent to a reformatory some years ago. When you came out of that reformatory, you were approached by the man who calls himself General Grant and offered this post – the post of a 'daughter'. There would be plenty of money, plenty of fun, a good time. All you had to do was to introduce the 'snuff' to your friends, always pretending that someone else had given it to you. Your 'sisters' were in the same case as yourself."

  He paused and said: "Come now. Mademoiselle – this man must be exposed and sentenced. After that -"

  "Yes, afterwards?"

  Poirot coughed. He said with a smile: "You shall be dedicated to the service of the Gods…"

  VII

  Michael Stoddart stared at Poirot in amazement.

  He said: "General Grant? General Grant?"

  "Precisely, mon cher. The whole mise en scene, you know, was what you would call 'very bogus'. The Buddhas, the Benares brass, the Indian servant! And the gout, too! It is out of date, the gout. It is old, old gentlemen who have the gout – not the fathers of young ladies of nineteen.

  "Moreover I made quite certain. As I go out, I stumble, I clutch at the gouty foot. So perturbed is the gentleman by what I have been saying that he did not even notice. Oh yes, he is very, very bogus, that General! Tout de même, it is a smart idea. The retired Anglo-Indian General, the well-known comic figure with a liver and a choleric temper, he settles down – not amongst other retired Anglo-Indian Army officers – oh no, he goes to a milieu far too expensive for the usual retired Army man. There are rich people there, people from London, an excellent field to market the goods. And who would suspect four lively, attractive, young girls? If anything comes out, they will be considered as victims – that for a certainty!"

  "What was your idea exactly when you went to see the old devil? Did you want to put the wind up him?"

  "Yes. I wanted to see what would happen. I had not long to wait. The girls had their orders. Anthony Hawker, actually one of their victims, was to be the scapegoat. Sheila was to tell me about the flask in the hall. She nearly could not bring herself to do so – but the other girl rapped out an angry 'Sheila' at her and she just faltered it out."

  Michael Stoddart got up and paced up and down.

  He said: "You know, I'm not going to lose sight of that girl. I've got a pretty sound theory about those adolescent criminal tendencies. If you look into the home life, you nearly always find -"

  Poirot interrupted him.

  He said: "Mon cher, I have the deepest respect for your science. I have no doubt that your theories will work admirably where Miss Sheila Kelly is concerned."

  "The others, too."

  "The others, perhaps. It may be. The only one I am sure about is the little Sheila. You will tame her, not a doubt of it! In truth, she eats out of your hand already…"

  Flushing, Michael Stoddart said: "What nonsense you talk, Poirot."

  Chapter 9

  THE GIRDLE OF HYPPOLITA

  I

  One thing leads to another, as Hercule Poirot is fond of saying without much originality.

  He adds that this was never more clearly evidenced than in the case of the stolen Rubens.

  He was never much interested in the Rubens. For one thing Rubens is not a painter he admires, and then the circumstances of the theft were quite ordinary. He took it up to oblige Alexander Simpson who was by the way of being a friend of his and for a certain private reason of his own not unconnected with the classics!

  After the theft, Alexander Simpson sent for Poirot and poured out all his woes. The Rubens was a recent discovery, a hitherto unknown masterpiece, but there was no doubt of its authenticity. It had been placed on display at Simpson's Galleries and it had been stolen in broad daylight. It was at the time when the unemployed were pursuing their tactics of lying down on the street crossings and penetrating into the Ritz. A small body of them had entered Simpson's Galleries and lain down with the slogan displayed of "Art is a Luxury. Feed the Hungry." The police had been sent for, everyone had crowded round in eager curiosity, and it was not till the demonstrators had been forcibly removed by the arm of the law that it was noticed that the new Rubens had been neatly cut out of its frame and removed also!

  "It was quite a small picture, you see," explained Mr Simpson. "A man could put it under his arm and walk out while everyone was looking at those miserable idiots of unemployed."

  The men in question, it was discovered, had been paid for their innocent part in the robbery. They were to demonstrate at Simpson's Galleries. But they had known nothing of the reason until afterwards.

  Hercule Poirot thought that it was an amusing trick but did not see what he could do about it. The police, he pointed out, could be trusted to deal with a straightforward robbery.

  Alexander Simpson said: "Listen to me, Poirot. I know who stole the picture and where it is going."

  According to the owner of Simpson's Galleries it had been stolen by a gang of international crooks on behalf of a certain millionaire who was not above acquiring works of art at a surprisingly low price – and no questions asked! The Rubens, said Simpson, would be smuggled over to France where it would pass into the millionaire's possession. The English and French police were on the alert, nevertheless Simpson was of the opinion that they would fail.

  "And once it has passed into this dirty dog's possession, it's going to be more difficult. Rich men have to be treated with respect. That's where you come in. The situation's going to be delicate. You're the man for that."

  Finally, without enthusiasm, Hercule Poirot was induced to accept the task. He agreed to depart for France immediately. He was not very interested in his quest, but because of it, he was introduced to the case of the Missing Schoolgirl which interested him very much indeed.

  He first heard of it from Chief Inspector Japp who dropped in to see him just as Poirot was expressing approval of his valet's packing.

  "Ha," said Japp. "Going to France, aren't you?"

  Poirot said: "Mon cher, you are incredibly well informed at Scotland Yard."

  Japp chuckled. He said: "We have our spies! Simpson's got you on to this Rubens business. Doesn't trust us, it seems! Well, that's neither here nor there, but what I want you to do is something quite different. As you're going to Paris anyway, I thought you might as well kill two birds with one stone. Detective Inspector Hearn's over there cooperating with the Frenchies – you know Hearn? Good chap – but perhaps not very imaginative. I'd like your opinion on the business."

  "What is this matter of which you speak?"

  "Child's disappeared. It'll be in the papers this evening. Looks as though she's been kidnapped. Daughter of a Canon down at Cranchester. King, her name is, Winnie King."

  He proceeded with the story.

  Winnie had been on her way to Paris, to join that select and high-class establishment for English and American girls – Miss Pope's. Winnie had come up from Cranchester by the early train – had been seen across London by a member of Elder Sisters Ltd. who undertook such work as seeing girls from one station to another, had been delivered at Victoria to Miss Burshaw, Miss Pope's second-in-command, and had then, in company with eighteen other girls, left Victoria by the boat train. Nineteen girls had crossed the channel, had passed through the customs at Calais, had got into the Paris train, had lunched in the restaurant car. But when, on the outskirts of Paris, Miss Burshaw had counted heads, it was discovered that only eighteen girls could be found!

  "Aha," Poirot nodded. "Did the train stop anywhere?"

  "It stopped at Amiens, but at that time the girls were in the restaurant car and they all say positively that Winnie was with them then. They lost her, so to speak, on the return journey to their compartments. That is to say, she did not enter her own compartment with the other five girls who
were in it. They did not suspect anything was wrong, merely thought she was in one of the two other reserved carriages."

  Poirot nodded. "So she was last seen – when exactly?"

  "About ten minutes after the train left Amiens." Japp coughed modestly. "She was last seen – er – entering the toilette."

  Poirot murmured: "Very natural." He went on: "There is nothing else?"

  "Yes, one thing." Japp's face was grim. "Her hat was found by the side of the line – at a spot approximately fourteen miles from Amiens."

  "But no body?"

  "No body."

  Poirot asked: "What do you yourself think?"

  "Difficult to know what to think! As there's no sign of her body – she can't have fallen off the train."

  "Did the train stop at all after leaving Amiens?"

  "No. It slowed up once – for a signal, but it didn't stop, and I doubt if it slowed up enough for anyone to have jumped off without injury. You're thinking that the kid got a panic and tried to run away? It was her first term and she might have been homesick, that's true enough, but all the same she was fifteen and a half – a sensible age, and she'd been in quite good spirits all the journey, chattering away and all that."

  Poirot asked: "Was the train searched?"

  "Oh yes, they went right through it before it arrived at the Nord station. The girl wasn't on the train, that's quite certain."

  Japp added in an exasperated manner: "She just disappeared – into thin air! It doesn't make sense, M. Poirot. It's crazy!"

  "What kind of a girl was she?"

  "Ordinary, normal type as far as I can make out."

  "I mean – what did she look like?"

  "I've got a snap of her here. She's not exactly a budding beauty."

  He proffered the snapshot to Poirot who studied it in silence.

  It represented a lanky girl with her hair in two limp plaits. It was not a posed photograph, the subject had clearly been caught unawares. She was in the act of eating an apple, her lips were parted, showing slightly protruding teeth confined by a dentist's plate. She wore spectacles.

  Japp said: "Plain-looking kid – but then they are plain at that age! Was at my dentist's yesterday. Saw a picture in the Sketch of Marcia Gaunt, this season's beauty. I remember her at fifteen when I was down at the Castle over their burglary business. Spotty, awkward, teeth sticking out, hair all lank and anyhow. They grow into beauties overnight – I don't know how they do it! It's like a miracle."

  Poirot smiled. "Women," he said, "are a miraculous sex! What about the child's family? Have they anything helpful to say?"

  Japp shook his head. "Nothing that's any help. Mother's an invalid. Poor old Canon King is absolutely bowled over. He swears that the girl was frightfully keen to go to Paris – had been looking forward to it. Wanted to study painting and music – that sort of thing. Miss Pope's girls go in for Art with a capital A. As you probably know, Miss Pope's is a very well-known establishment. Lots of society girls go there. She's strict – quite a dragon – and very expensive – and extremely particular whom she takes."

  Poirot sighed. "I know the type. And Miss Burshaw who took the girls over from England?"

  "Not exactly frantic with brains. Terrified that Miss Pope will say it's her fault."

  Poirot said thoughtfully: "There is no young man in the case?"

  Japp gesticulated towards the snapshot. "Does she look like it?"

  "No, she does not. But notwithstanding her appearance, she may have a romantic heart. Fifteen is not so young."

  "Well," said Japp. "If a romantic heart spirited her off that train, I'll take to reading lady novelists."

  He looked hopefully at Poirot.

  "Nothing strikes you – eh?"

  Poirot shook his head slowly.

  He said: "They did not, by any chance, find her shoes also by the side of the line?"

  "Shoes? No. Why shoes?"

  Poirot murmured: "Just an idea…"

  II

  Hercule Poirot was just going down to his taxi when the telephone rang. He took off the receiver.

  "Yes?"

  Japp's voice spoke.

  "Glad I've just caught you. It's all off, old man. Found a message at the Yard when I got back. The girl's turned up. At the side of the main road fifteen miles from Amiens. She's dazed and they can't get any coherent story from her, doctor says she's been doped – However, she's all right. Nothing wrong with her."

  Poirot said slowly: "So you have, then, no need of my services?"

  "Afraid not! In fact – sorrrry you have been trrrroubled."

  Japp laughed at his witticism and rang off.

  Hercule Poirot did not laugh. He put back the receiver slowly. His face was worried.

  III

  Detective Inspector Hearn looked at Poirot curiously.

  He said: "I'd no idea you'd be so interested, sir."

  Poirot said: "You had word from Chief Inspector Japp that I might consult with you over this matter?"

  Hearn nodded. "He said you were coming over on some other business, and that you'd give us a hand with this puzzle. But I didn't expect you now it's all cleared up. I thought you'd be busy on your own job."

  Hercule Poirot said: "My own business can wait. It is this affair here that interests me. You called it a puzzle, and you say it is now ended. But the puzzle is still there, it seems."

  "Well, sir, we've got the child back. And she's not hurt. That's the main thing."

  "But it does not solve the problem of how you got her back, does it? What does she herself say? A doctor saw her, did he not? What did he say?"

  "Said she'd been doped. She was still hazy with it. Apparently, she can't remember anything much after starting off from Cranchester. All later events seem to have been wiped out. Doctor thinks she might possibly have had slight concussion. There's a bruise on the back of her head. Says that would account for a complete blackout of memory."

  Poirot said: "Which is very convenient for – someone!"

  Inspector Hearn said in a doubtful voice: "You don't think she is shamming, sir?"

  "Do you?"

  "No, I'm sure she isn't. She's a nice kid – a bit young for her age."

  "No, she is not shamming." Poirot shook his head. "But I would like to know how she got off that train. I want to know who is responsible – and why?"

  "As to why, I should say it was an attempt at kidnapping, sir. They meant to hold her to ransom."

  "But they didn't!"

  "Lost their nerve with the hue and cry – and planted her by the road quick."

  Poirot enquired sceptically: "And what ransom were they likely to get from a Canon of Cranchester Cathedral? English Church dignitaries are not millionaires."

  Detective Inspector Hearn said cheerfully: "Made a botch of the whole thing, sir, in my opinion."

  "Ah, that's your opinion."

  Hearn said, his face flushing slightly: "What's yours, sir?"

  "I want to know how she was spirited off that train."

  The policeman's face clouded over.

  "That's a real mystery, that is. One minute she was there, sitting in the dining-car, chatting to the other girls. Five minutes later she's vanished – hey presto – like a conjuring trick."

  "Precisely, like a conjuring trick! Who else was there in the coach of the train where Miss Pope's reserved compartments were?"

  Inspector Hearn nodded.

  "That's a good point, sir. That's important. It's particularly important because it was the last coach on the train and as soon as all the people were back from the restaurant car, the doors between the coaches were locked – actually so as to prevent people crowding along to the restaurant car and demanding tea before they'd had time to clear up lunch and get ready. Winnie King came back to the coach with the others – the school had three reserved compartments there."

  "And in the other compartments of the coach?"

  Hearn pulled out his notebook.

  "Miss Jordan and Miss Butters
– two middle-aged spinsters going to Switzerland. Nothing wrong with them, highly respectable, well known in Hampshire where they come from. Two French commercial travellers, one from Lyons, one from Paris. Both respectable middle-aged men. A young man, James Elliot, and his wife – flashy piece of goods she was. He's got a bad reputation, suspected by the police of being mixed up in some questionable transactions – but has never touched kidnapping. Anyway, his compartment was searched and there was nothing in his hand luggage to show that he was mixed up in this. Don't see how he could have been. Only other person was an American lady, Mrs Van Suyder, travelling to Paris. Nothing known about her. Looks OK. That's the lot."

  Hercule Poirot said: "And it is quite definite that the train did not stop after it left Amiens?"

  "Absolutely. It slowed down once, but not enough to let any one jump off – not without damaging themselves pretty severely and risking being killed."

  Hercule Poirot murmured: "That is what makes the problem so peculiarly interesting. The schoolgirl vanishes into thin air – just outside Amiens. She reappears from thin air just outside Amiens. Where has she been in the meantime?"

  Inspector Hearn shook his head.

  "It sounds mad, put like that. Oh! by the way, they told me you were asking something about shoes – the girl's shoes. She had her shoes on all right when she was found, but there was a pair of shoes on the line, a signalman found them. Took 'em home with him as they seemed in good condition. Stout black walking shoes."

  "Ah," said Poirot. He looked gratified.

  Inspector Hearn said curiously: "I don't get the meaning of the shoes, sir? Do they mean anything?"

  "They confirm a theory," said Hercule Poirot. "A theory of how the conjuring trick was done."