Problem at Pollensa Bay Page 12

  ‘Have they got the fellow who did it?’

  ‘No,’ replied Melrose shortly.

  Mr Satterthwaite’s trained ear detected a nuance of reserve behind the curt negative. He began to go over in his mind all that he knew of the Dwightons.

  A pompous old fellow, the late Sir James, brusque in his manner. A man that might easily make enemies. Veering on sixty, with grizzled hair and a florid face. Reputed to be tight-fisted in the extreme.

  His mind went on to Lady Dwighton. Her image floated before him, young, auburn-haired, slender. He remembered various rumours, hints, odd bits of gossip. So that was it—that was why Melrose looked so glum. Then he pulled himself up—his imagination was running away with him.

  Five minutes later Mr Satterthwaite took his place beside his host in the latter’s little two seater, and they drove off together into the night.

  The colonel was a taciturn man. They had gone quite a mile and a half before he spoke. Then he jerked out abruptly, ‘You know ’em, I suppose?’

  ‘The Dwightons? I know all about them, of course.’ Who was there Mr Satterthwaite didn’t know all about? ‘I’ve met him once, I think, and her rather oftener.’

  ‘Pretty woman,’ said Melrose.

  ‘Beautiful!’ declared Mr Satterthwaite.

  ‘Think so?’

  ‘A pure Renaissance type,’ declared Mr Satterthwaite, warming up to his theme. ‘She acted in those theatricals—the charity matinee, you know, last spring. I was very much struck. Nothing modern about her—a pure survival. One can imagine her in the doge’s palace, or as Lucrezia Borgia.’

  The colonel let the car swerve slightly, and Mr Satterthwaite came to an abrupt stop. He wondered what fatality had brought the name of Lucrezia Borgia to his tongue. Under the circumstances—

  ‘Dwighton was not poisoned, was he?’ he asked abruptly.

  Melrose looked at him sideways, somewhat curiously. ‘Why do you ask that, I wonder?’ he said.

  ‘Oh, I—I don’t know.’ Mr Satterthwaite was flustered. ‘I—It just occurred to me.’

  ‘Well, he wasn’t,’ said Melrose gloomily. ‘If you want to know, he was crashed on the head.’

  ‘With a blunt instrument,’ murmured Mr Satterthwaite, nodding his head sagely.

  ‘Don’t talk like a damned detective story, Satterthwaite. He was hit on the head with a bronze figure.’

  ‘Oh,’ said Satterthwaite, and relapsed into silence.

  ‘Know anything of a chap called Paul Delangua?’ asked Melrose after a minute or two.

  ‘Yes. Good-looking young fellow.’

  ‘I daresay women would call him so,’ growled the colonel.

  ‘You don’t like him?’

  ‘No, I don’t.’

  ‘I should have thought you would have. He rides very well.’

  ‘Like a foreigner at the horse show. Full of monkey tricks.’

  Mr Satterthwaite suppressed a smile. Poor old Melrose was so very British in his outlook. Agreeably conscious himself of a cosmopolitan point of view, Mr Satterthwaite was able to deplore the insular attitude toward life.

  ‘Has he been down in this part of the world?’ he asked.

  ‘He’s been staying at Alderway with the Dwightons. The rumour goes that Sir James kicked him out a week ago.’

  ‘Why?’

  ‘Found him making love to his wife, I suppose. What the hell—’

  There was a violent swerve, and a jarring impact.

  ‘Most dangerous crossroads in England,’ said Melrose. ‘All the same, the other fellow should have sounded his horn. We’re on the main road. I fancy we’ve damaged him rather more than he has damaged us.’

  He sprang out. A figure alighted from the other car and joined him. Fragments of speech reached Satterthwaite.

  ‘Entirely my fault, I’m afraid,’ the stranger was saying. ‘But I do not know this part of the country very well, and there’s absolutely no sign of any kind to show you’re coming onto the main road.’

  The colonel, mollified, rejoined suitably. The two men bent together over the stranger’s car, which a chauffeur was already examining. The conversation became highly technical.

  ‘A matter of half an hour, I’m afraid,’ said the stranger. ‘But don’t let me detain you. I’m glad your car escaped injury as well as it did.’

  ‘As a matter of fact—’ the colonel was beginning, but he was interrupted.

  Mr Satterthwaite, seething with excitement, hopped out of the car with a birdlike action, and seized the stranger warmly by the hand.

  ‘It is! I thought I recognized the voice,’ he declared excitedly. ‘What an extraordinary thing. What a very extraordinary thing.’

  ‘Eh?’ said Colonel Melrose.

  ‘Mr Harley Quin. Melrose, I’m sure you’ve heard me speak many times of Mr Quin?’

  Colonel Melrose did not seem to remember the fact, but he assisted politely at the scene while Mr Satterthwaite was chirruping gaily on. ‘I haven’t seen you—let me see—’

  ‘Since the night at the Bells and Motley,’ said the other quietly.

  ‘The Bells and Motley, eh?’ said the colonel.

  ‘An inn,’ explained Mr Satterthwaite.

  ‘What an odd name for an inn.’

  ‘Only an old one,’ said Mr Quin. ‘There was a time, remember, when bells and motley were more common in England than they are nowadays.’

  ‘I suppose so, yes, no doubt you are right,’ said Melrose vaguely. He blinked. By a curious effect of light—the headlights of one car and the red tail-light of the other—Mr Quin seemed for a moment to be dressed in motley himself. But it was only the light.

  ‘We can’t leave you here stranded on the road,’ continued Mr Satterthwaite. ‘You must come along with us. There’s plenty of room for three, isn’t there, Melrose?’

  ‘Oh rather.’ But the colonel’s voice was a little doubtful. ‘The only thing is,’ he remarked, ‘the job we’re on. Eh, Satterthwaite?’

  Mr Satterthwaite stood stock-still. Ideas leaped and flashed over him. He positively shook with excitement.

  ‘No,’ he cried. ‘No, I should have known better! There is no chance where you are concerned, Mr Quin. It was not an accident that we all met tonight at the crossroads.’

  Colonel Melrose stared at his friend in astonishment. Mr Satterthwaite took him by the arm.

  ‘You remember what I told you—about our friend Derek Capel? The motive for his suicide, which no one could guess? It was Mr Quin who solved that problem—and there have been others since. He shows you things that are there all the time, but which you haven’t seen. He’s marvellous.’

  ‘My dear Satterthwaite, you are making me blush,’ said Mr Quin, smiling. ‘As far as I can remember, these discoveries were all made by you, not by me.’

  ‘They were made because you were there,’ said Mr Satterthwaite with intense conviction.

  ‘Well,’ said Colonel Melrose, clearing his throat uncomfortably. ‘We mustn’t waste any more time. Let’s get on.’

  He climbed into the driver’s seat. He was not too well pleased at having the stranger foisted upon him through Mr Satterthwaite’s enthusiasm, but he had no valid objection to offer, and he was anxious to get on to Alderway as fast as possible.

  Mr Satterthwaite urged Mr Quin in next, and himself took the outside seat. The car was a roomy one and took three without undue squeezing.

  ‘So you are interested in crime, Mr Quin?’ said the colonel, doing his best to be genial.

  ‘No, not exactly in crime.’

  ‘What, then?’

  Mr Quin smiled. ‘Let us ask Mr Satterthwaite. He is a very shrewd observer.’

  ‘I think,’ said Satterthwaite slowly, ‘I may be wrong, but I think—that Mr Quin is interested in—lovers.’

  He blushed as he said the last word, which is one no Englishman can pronounce without self-consciousness. Mr Satterthwaite brought it out apologetically, and with an effect of inverted commas.

  �
��By gad!’ said the colonel, startled and silenced.

  He reflected inwardly that this seemed to be a very rum friend of Satterthwaite’s. He glanced at him sideways. The fellow looked all right—quite a normal young chap. Rather dark, but not at all foreign-looking.

  ‘And now,’ said Satterthwaite importantly, ‘I must tell you all about the case.’

  He talked for some ten minutes. Sitting there in the darkness, rushing through the night, he had an intoxicating feeling of power. What did it matter if he were only a looker-on at life? He had words at his command, he was master of them, he could string them to a pattern—a strange Renaissance pattern composed of the beauty of Laura Dwighton, with her white arms and red hair—and the shadowy dark figure of Paul Delangua, whom women found handsome.

  Set that against the background of Alderway—Alderway that had stood since the days of Henry VII and, some said, before that. Alderway that was English to the core, with its clipped yew and its old beak barn and the fishpond, where monks had kept their carp for Fridays.

  In a few deft strokes he had etched in Sir James, a Dwighton who was a true descendant of the old De Wittons, who long ago had wrung money out of the land and locked it fast in coffers, so that whoever else had fallen on evil days, the masters of Alderway had never become impoverished.

  At last Mr Satterthwaite ceased. He was sure, had been sure all along, of the sympathy of his audience. He waited now the word of praise which was his due. It came.

  ‘You are an artist, Mr Satterthwaite.’

  ‘I—I do my best.’ The little man was suddenly humble.

  They had turned in at the lodge gates some minutes ago. Now the car drew up in front of the doorway, and a police constable came hurriedly down the steps to meet them.

  ‘Good evening, sir. Inspector Curtis is in the library.’

  ‘Right.’

  Melrose ran up the steps followed by the other two. As the three of them passed across the wide hall, an elderly butler peered from a doorway apprehensively. Melrose nodded to him.

  ‘Evening, Miles. This is a sad business.’

  ‘It is indeed,’ the other quavered. ‘I can hardly believe it, sir; indeed I can’t. To think that anyone should strike down the master.’

  ‘Yes, yes,’ said Melrose, cutting him short. ‘I’ll have a talk with you presently.’

  He strode on to the library. There a big, soldierly-looking inspector greeted him with respect.

  ‘Nasty business, sir. I have not disturbed things. No fingerprints on the weapon. Whoever did it knew his business.’

  Mr Satterthwaite looked at the bowed figure sitting at the big writing table, and looked hurriedly away again. The man had been struck down from behind, a smashing blow that had crashed in the skull. The sight was not a pretty one.

  The weapon lay on the floor—a bronze figure about two feet high, the base of it stained and wet. Mr Satterthwaite bent over it curiously.

  ‘A Venus,’ he said softly. ‘So he was struck down by Venus.’

  He found food for poetic meditation in the thought.

  ‘The windows,’ said the inspector, ‘were all closed and bolted on the inside.’

  He paused significantly.

  ‘Making an inside job of it,’ said the chief constable reluctantly. ‘Well—well, we’ll see.’

  The murdered man was dressed in golf clothes, and a bag of golf clubs had been flung untidily across a big leather couch.

  ‘Just come in from the links,’ explained the inspector, following the chief constable’s glance. ‘At five-fifteen, that was. Had tea brought here by the butler. Later he rang for his valet to bring him down a pair of soft slippers. As far as we can tell, the valet was the last person to see him alive.’

  Melrose nodded, and turned his attention once more to the writing table.

  A good many of the ornaments had been overturned and broken. Prominent among these was a big dark enamel clock, which lay on its side in the very centre of the table.

  The inspector cleared his throat.

  ‘That’s what you might call a piece of luck, sir,’ he said. ‘As you see, it’s stopped. At half past six. That gives us the time of the crime. Very convenient.’

  The colonel was staring at the clock.

  ‘As you say,’ he remarked. ‘Very convenient.’ He paused a minute, and then added, ‘Too damned convenient! I don’t like it, Inspector.’

  He looked around at the other two. His eye sought Mr Quin’s with a look of appeal in it.

  ‘Damn it all,’ he said. ‘It’s too neat. You know what I mean. Things don’t happen like that.’

  ‘You mean,’ murmured Mr Quin, ‘that clocks don’t fall like that?’

  Melrose stared at him for a moment, then back at the clock, which had that pathetic and innocent look familiar to objects which have been suddenly bereft of their dignity. Very carefully Colonel Melrose replaced it on its legs again. He struck the table a violent blow. The clock rocked, but it did not fall. Melrose repeated the action, and very slowly, with a kind of unwillingness, the clock fell over on its back.

  ‘What time was the crime discovered?’ demanded Melrose sharply.

  ‘Just about seven o’clock, sir.’

  ‘Who discovered it?’

  ‘The butler.’

  ‘Fetch him in,’ said the chief constable. ‘I’ll see him now. Where is Lady Dwighton, by the way?’

  ‘Lying down, sir. Her maid says that she’s prostrated and can’t see anyone.’

  Melrose nodded, and Inspector Curtis went in search of the butler. Mr Quin was looking thoughtfully into the fireplace. Mr Satterthwaite followed his example. He blinked at the smouldering logs for a minute or two, and then something bright lying in the grate caught his eye. He stooped and picked up a little sliver of curved glass.

  ‘You wanted me, sir?’

  It was the butler’s voice, still quavering and uncertain. Mr Satterthwaite slipped the fragment of glass into his waistcoat pocket and turned round.

  The old man was standing in the doorway.

  ‘Sit down,’ said the chief constable kindly. ‘You’re shaking all over. It’s been a shock to you, I expect.’

  ‘It has indeed, sir.’

  ‘Well, I shan’t keep you long. Your master came in just after five, I believe?’

  ‘Yes, sir. He ordered tea to be brought to him here. Afterward, when I came to take it away, he asked for Jennings to be sent to him—that’s his valet, sir.’

  ‘What time was that?’

  ‘About ten minutes past six, sir.’

  ‘Yes—well?’

  ‘I sent word to Jennings, sir. And it wasn’t till I came in here to shut the windows and draw the curtains at seven o’clock that I saw—’

  Melrose cut him short. ‘Yes, yes, you needn’t go into all that. You didn’t touch the body, or disturb anything, did you?’

  ‘Oh! No indeed, sir! I went as fast as I could go to the telephone to ring up the police.’

  ‘And then?’

  ‘I told Jane—her ladyship’s maid, sir—to break the news to her ladyship.’

  ‘You haven’t seen your mistress at all this evening?’

  Colonel Melrose put the question casually enough, but Mr Satterthwaite’s keen ears caught anxiety behind the words.

  ‘Not to speak to, sir. Her ladyship has remained in her own apartments since the tragedy.’

  ‘Did you see her before?’

  The question came sharply, and everyone in the room noted the hesitation before the butler replied.

  ‘I—I just caught a glimpse of her, sir, descending the staircase.’

  ‘Did she come in here?’

  Mr Satterthwaite held his breath.

  ‘I—I think so, sir.’

  ‘What time was that?’

  You might have heard a pin drop. Did the old man know, Mr Satterthwaite wondered, what hung on his answer?

  ‘It was just upon half past six, sir.’

  Colonel Melrose drew a deep b
reath. ‘That will do, thank you. Just send Jennings, the valet, to me, will you?’

  Jennings answered the summons with promptitude. A narrow-faced man with a catlike tread. Something sly and secretive about him.

  A man, thought Mr Satterthwaite, who would easily murder his master if he could be sure of not being found out.

  He listened eagerly to the man’s answers to Colonel Melrose’s questions. But his story seemed straightforward enough. He had brought his master down some soft hide slippers and removed the brogues.

  ‘What did you do after that, Jennings?’

  ‘I went back to the stewards’ room, sir.’

  ‘At what time did you leave your master?’

  ‘It must have been just after a quarter past six, sir.’

  ‘Where were you at half past six, Jennings?’

  ‘In the stewards’ room, sir.’

  Colonel Melrose dismissed the man with a nod. He looked across at Curtis inquiringly.

  ‘Quite correct, sir, I checked that up. He was in the stewards’ room from about six-twenty until seven o’clock.’

  ‘Then that lets him out,’ said the chief constable a trifle regretfully. ‘Besides, there’s no motive.’

  They looked at each other.

  There was a tap at the door.

  ‘Come in,’ said the colonel.

  A scared-looking lady’s maid appeared.

  ‘If you please, her ladyship has heard that Colonel Melrose is here and she would like to see him.’

  ‘Certainly,’ said Melrose. ‘I’ll come at once. Will you show me the way?’

  But a hand pushed the girl aside. A very different figure now stood in the doorway. Laura Dwighton looked like a visitor from another world.

  She was dressed in a clinging medieval tea gown of dull blue brocade. Her auburn hair was parted in the middle and brought down over her ears. Conscious of the fact she had a style of her own, Lady Dwighton had never had her hair cut. It was drawn back into a simple knot on the nape of her neck. Her arms were bare.

  One of them was outstretched to steady herself against the frame of the doorway, the other hung down by her side, clasping a book. She looks, Mr Satterthwaite thought, like a Madonna from an early Italian canvas.

  She stood there, swaying slightly from side to side. Colonel Melrose sprang toward her.